A camel with a child riding. Below a fabulous beast (Castoro)
Artist/Maker
Material / Technique
Dimensionsh x w: Mått 25,8 x 17,5 cm h x w: Passepartout 80 x 65 cm h x w x d: Ram 84,7 x 69,7 x 3,5 cm
Inventory numberNMH 45a/1863
AcqusitionTransferred 1866 from Kongl. Museum (Carl Gustaf Tessin)
Other titlesTitle (sv): En kamel med ett ridande barn. Därunder ett fabeldjur "Castoro" Title (en): A camel with a child riding. Below a fabulous beast (Castoro) Title (en): NMH 45a-d/1863 (recto) and NMH 46a-c/1863: Studies of Animals and Figures Inventory title (sv): Etude. Diverse djur. Tre plancher i en ornerad ram Title (fr): NMH 45a-d/1863 (recto) et NMH 46a-c/1863: Feuilles d’études d’animaux et de figures
DescriptionDescription: Description in Bjurström It. Drawings nr 1069 (NMH 45a/1863): Folds, old repairs around the edges, stains and holes. Inscribed in pen and brown ink over the faboulus beast: CASTORO and below: "j piedj dj dreto uglono essere come quellj del locha." On the Vasari mount, below: PAOLO VCCELLO PIT: FIORENT. Numbered in pen and brown ink, upside down: 27 (Sparre). The following animals figure in the other Florentine pattern books: Castoro 1 Uccello workshop. NMH 45d/1863 r (This catalogue no. 1071 r) (Degenhart & Schmitt, cat. 319 recto) 2 Giuliano da Sangallo, Sketchbook, Biblioteca Comunale, Siena, S.IV.8, f. 45 (Degenhart & Schmitt, p. 624, fig. 962) 3 Florentine animal pattern book, c. 1460-1470. Uffici, Florence, 14505 F r (Degenhart & Schmitt, cat. 628, pl. 442 c) For comments see preceding no [Nos 1068 and 1069]: Degenhart and Schmitt characterise our group of drawings as belonging to the most important Middle Italian drawings of the first half of the 15th century. This applies to these very traditional model-sheets which, although they repeat earlier versions of the subjects, represent a creative and fresh attitude which had only one equivalent in Northern Italy: Pisanello. Stylistically they are closelly connected to the doublesheet in Dijon and Vienna which are also iconographically attached to Uccello´s painted oeuvre. The inscriptions on the Stockholm, dijon and Vienna drawings are by the same hand, not Uccello´s however. [slut]
Collection
Geographical origin
TechniqueDrawing
Object category