Additional texteExhibition text: Roslin’s portrait of the Moldavian princess Zoie Ghika was painted during his stay in St. Petersburg and commissioned by the Russian Empress Catherine II. After the princess’s father had been poisoned in Constantinople, his exiled family was living in Russia. The princess’s Moldavian clothes, white turban and silver lacing made an exotic impression at the Russian court. In this portrait Roslin has chosen, however, to endow his subject with an aura of refined simplicity with no conspicuous artifice.
Description: The Moldavian princess Zoie Ghika is depicted in a manner that differs from the bulk of Roslin’s portraits. The princess is shown without a wig. She is wearing Moldavian costume – a turban-like bonnet decorated with roses, a white silk dress with silver ribbons and lace edges and a sleeveless fur jacket. Her costume is elegant without suggesting excessive wealth.
Russia had invaded Moldavia and Zoie Ghika’s father, a tributary prince of the Ottoman Sultan, was executed. His family became political pawns and were taken to the court of Catherine the Great, who also commissioned this portrait. The Moldavian princesses were an exotic addition to the Russian court. They were also a symbol of the geographic expansion of the Russian empire towards the Black Sea.
Alexander Roslin visited Russia in 1775 to take up commissions from the Russian court. He stayed there for about two years and received 75 commissions. Many of the commissions had to be finished after he returned to Paris. The portrait of Zoie Ghika was one of the last that Roslin painted before returning to Paris. It is often cited to prove that the quality of his work did not deteriorate even when he working on numerous commissions at the same time.
Exhibition text: Alexander Roslin was born in Sweden, but mostly worked in Paris. His skill and reputation took him back to Stockholm and to Saint Petersburg and painting commissions for the courts. The Moldovan princess Zoie Ghika lived as a refugee in Russia, and Roslin seems to have chosen to portray her in an unusually natural way, without the coiffures and makeup that is usually associated with the 18th century.
