Beskrivning: Se beskrivning i den engelska versionen.

Beskrivning:  [For NMH 426/1863 och NMH 468/1863]: 

NMH 426/1863: Pen and brown ink, brown wash. Numbered at lower right in pen and brown ink: 357. (Sparre). A copy of drawing NMH 468/1863, also in Nationalmuseum. [slut]

NMH 468/1863: The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin. Laid down. Inscribed at lower right in pen and brown ink: il sordo (17th century hand). Numbered at lower right in pen and brown ink: 395. (Sparre)

Viviani worked closely with Barocci and never demonstrated a distinct artistic personality of his own. St. Francis' attitude is the same, in reverse, as in Barocci's "Il Perdono" on the high altar in S. Francesco in Urbino, executed c. 1574-76.

Although the influences from Barocci are obvious, the old attribution to Viviani, "Il Sordo d'Urbino", seems convincing. There are great stylistic correspondences with a number of drawings in the Louvre, attributed to Viviani by Francoise Viatte and Catherine Monbeig-Goguel.

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The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin | Nationalmuseum

Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin | Nationalmuseum

Title (sv): Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin
Title (en): The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin
Inventory title (sv): Heliga Jungfrun med barnet tillbedjes af Påfve, Biskoppar och Munkar.

Titel (sv): Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin
Titel (en): The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin
Titel i inventariet (sv): Heliga Jungfrun med barnet tillbedjes af Påfve, Biskoppar och Munkar.