Additional texteDescription: When the royal family moved into Stockholm’s Royal Palace in 1754, large quantities of furniture were commissioned. In the strict hierarchy that prevailed at court, the design of seat furniture was not something that was left to chance. The king and queen, Adolf Frederick and Lovisa Ulrika, were provided with gilt armchairs, with high-quality carving. Their children sat on gilded chairs without arms, with similar carving to those of their royal parents. Other guests were given simpler, yellow-painted chairs.
New acquisition, October 2013
Royal dining chair from 1754
Nationalmuseum has added a piece of furniture with royal provenance to its collection. The chair was made in 1754 when the royal family moved into the Royal Palace in Stockholm. For this occasion, every effort was made to create a modern, representative environment. The palace was furnished mainly with Swedish furniture made by Stockholm’s leading craftsmen of the time.
The chair acquired by Nationalmuseum was made for the royal dining room, known as the Pillar Hall. It was intended for use by one of the royal princes, the future kings Gustav III and Charles XIII and their younger brother Fredrik Adolf. In the strict hierarchy of the royal court, the design of a chair was not something left to chance. King Adolf Fredrik and Queen Lovisa Ulrika were seated in gilded armchairs featuring the finest carving. Their children sat on gilded dining chairs without arms and with similar carving. Other guests permitted to sit were assigned one of the 24 yellow-painted dining chairs, with simpler carving, that furnished the rest of the room. Emphasizing the position of the royal children in the hierarchy, their chair backs also featured carved ornamentation. This was not something that people would normally spend money on, since the fashion in the 18th century was to place chairs along the walls of the room.
According to surviving account books, the chair frame was most likely made by Lorentz Nordin, while the decoration was carved by one of the many French and Swedish ornamental carvers employed in the palace workshop. The identity of the chair’s designer is unknown, but its form is in keeping with the stylistic ideals of Carl Hårleman, the architect of the palace. Although Hårleman died in 1753, the year before the chair was made, the commissioned pieces produced after his death continued to reflect his tastes.
Nationalmuseum’s purchase of this high-class chair with royal provenance has been made possible by a generous donation from the Barbro Osher Fund. Nationalmuseum has no budget of its own for new acquisitions, but relies on gifting and financial support from private funds and foundations to enhance its collections of fine art and craft.
