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Description: Study for a portrait of a seated woman. Watermark: Crown without bow. Close to Briquet 4612. Geneva 1410-14, Sion 1420. Numbered in pen and brown ink at lower right: 111 (Sparre), 5 and 38 (struck out). Inscribed in pen and brown ink in lower margin: André del Sarto. Cabinet de Crozat.

Sirén attributed the drawing to Puligo. His perception has been seconded by Roger Ward (mat note 1979), although Chris Fischer also suggested Franciabigio. Most likely Puligo is the proper attribution. The recto is a typical study in the manner of del Sarto during the second or third decade of the sixteenth century. The sitter holds what appears to be a sheet of paper. Her face has been studied more than once, progressively inclining toward the left. On the verso Puligo was inspired by del Sarto's Madonna dello Sacco at the SS. Annunziata. The female figure appears to glance at a circular object presented to her by two putti. A close parallel for the hazy sfumato of the faces is found in a drawing of The Holy Family with SS. Elizabeth and John the Baptist (Lille, inv. 502). [Bjurström, It. Drawings, cat. no. 1162]

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Domenico Puligo | Studie till ett porträtt av en sittande kvinna | Nationalmuseum

Domenico Puligo | Study of a woman (the Madonna?) with two putti | Nationalmuseum

Titel (sv): Studie till ett porträtt av en sittande kvinna
Titel (en): Study of a woman (the Madonna?) with two putti
Titel i inventariet (sv): På baksidan. Sittande qvinna, knästycke

Title (sv): Studie till ett porträtt av en sittande kvinna
Title (en): Study of a woman (the Madonna?) with two putti
Inventory title (sv): På baksidan. Sittande qvinna, knästycke