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Description: Clelia saving the young Roman woman. Laid down. Insceibed at lower left: Maturino fiorentino and k. 164 at center bottom (Lord John Somers). Numbered in pen and brown ink at lower right: 279 (Sparre) and 5 (struck out). Inscribed on the old mount: Cabinet de Crozat (in C.G. Tessin's hand) 

As Catherine Monbeig Goguel has noted (mat note), this drawing is related to Gherardi's fresco of the early 1530s in San Giustino, near Città di Castello (Vasari-Milanesi VI, pp. 218-19) Gherardi's own drawing, preserved in the Louvre (inv. 10551) continues the figures at the right cut off in the Swedish sheet. Both the Louvre and Stockholm drawings show figures at the upper right that have been relegated to the distant background in the fresco. Thus the author of the present sheet based its design on the Parisian one, rather than on the fresco. Not only are there clear differences between the graphic styles of the Stockholm and Paris sheets, but the Stockholm artist has turned some of the heads to different angles and altered the proportions and positions of some of the figures. Thus it is not an exact copy after the Louvre drawing. It could possibly be a copy by one of Gherardi's close followers, such as Leonardo Cungi, for an example see his Allegory of Patience, Budapest, Musée des Beaux-arts, n. 1575.  [Bjurström, It. Drawings, cat. no. 1146]

Titel (sv): Clelia räddar den unga romerska kvinnan
Titel (en): Clelia saving the young Roman woman
Titel i inventariet (sv): Åtskilliga qvinnor, af hvilka 2 till häst

Title (sv): Clelia räddar den unga romerska kvinnan
Title (en): Clelia saving the young Roman woman
Inventory title (sv): Åtskilliga qvinnor, af hvilka 2 till häst