Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin
Konstnär/Tillverkare
Material / Teknik
Måtth x b: Mått 30,6 x 22,8 cm
InventarienummerNMH 426/1863
FörvärvÖvertagande 1866 från Kongl. Museum (Carl Gustaf Tessin)
Andra titlarTitel (sv): Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin Titel (en): The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin Titel i inventariet (sv): Heliga Jungfrun med barnet tillbedjes af Påfve, Biskoppar och Munkar.
BeskrivningBeskrivning: Se beskrivning i den engelska versionen. Beskrivning: [For NMH 426/1863 och NMH 468/1863]: NMH 426/1863: Pen and brown ink, brown wash. Numbered at lower right in pen and brown ink: 357. (Sparre). A copy of drawing NMH 468/1863, also in Nationalmuseum. [slut] NMH 468/1863: The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin. Laid down. Inscribed at lower right in pen and brown ink: il sordo (17th century hand). Numbered at lower right in pen and brown ink: 395. (Sparre) Viviani worked closely with Barocci and never demonstrated a distinct artistic personality of his own. St. Francis' attitude is the same, in reverse, as in Barocci's "Il Perdono" on the high altar in S. Francesco in Urbino, executed c. 1574-76. Although the influences from Barocci are obvious, the old attribution to Viviani, "Il Sordo d'Urbino", seems convincing. There are great stylistic correspondences with a number of drawings in the Louvre, attributed to Viviani by Francoise Viatte and Catherine Monbeig-Goguel.
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