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Description: The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin. Laid down. Inscribed at lower right in pen and brown ink: il sordo (17th century hand). Numbered at lower right in pen and brown ink: 395. (Sparre)

Viviani worked closely with Barocci and never demonstrated a distinct artistic personality of his own. St. Francis' attitude is the same, in reverse, as in Barocci's "Il Perdono" on the high altar in S. Francesco in Urbino, executed c. 1574-76.

Although the influences from Barocci are obvious, the old attribution to Viviani, "Il Sordo d'Urbino", seems convincing. There are great stylistic correspondences with a number of drawings in the Louvre, attributed to Viviani by Francoise Viatte and Catherine Monbeig-Goguel.
A copy of this drawing also in Nationalmuseum: See NMH 426/1863
[Bjurström, It. Drawings, cat. no. 571]

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Antonio Viviani | Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin | Nationalmuseum

Antonio Viviani | The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin | Nationalmuseum

Titel (sv): Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin
Titel (en): The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin
Titel i inventariet (sv):  Heliga Jungfrun med barnet m fl

Title (sv): Madonnan i en vision avgudad av Sankt Fransiskus assisterad av Sankt Gregorius och Sankt Augustin
Title (en): The Madonna in a vision, adored by St. Francis assisted by St. Gregory and St. Augustin
Inventory title (sv):  Heliga Jungfrun med barnet m fl