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  • NamnSuperstudio, Florens, Italien
  • Nationalitet/ Levnadsårgrundat år 1966
BiografiSuperstudio was an architecture firm, founded in 1966 in Florence, Italy by Adolfo Natalini and Cristiano Toraldo di Francia. Superstudio was a major part of the Radical architecture movement of the late 1960s. The founders had gone to school at the University of Florence with Archizoom founder Andrea Branzi and first showed their work in the Superarchitettura show in 1966.[1]

In 1967, Natalini established three categories of future research: “architecture of the monument”; the “architecture of the image”; and “technomorphic architecture”. Soon, Superstudio would be known for its conceptual architecture works, most notably the 1969 Continuous Monument: An Architectural Model for Total Urbanization.

Many of their projects were originally published in the magazine Casabella, and ranged from fiction, to storyboard illustration, and photomontage.

Natalini wrote in 1971 “…if design is merely an inducement to consume, then we must reject design; if architecture is merely the codifying of bourgeois model of ownership and society, then we must reject architecture; if architecture and town planning is merely the formalization of present unjust social divisions, then we must reject town planning and its cities…until all design activities are aimed towards meeting primary needs. Until then, design must disappear. We can live without architecture…”

Critics agree that the work of Superstudio was influential, or even entirely inspirational to, among others, architects like Zaha Hadid, Rem Koolhaas and Bernard Tschumi. Evidence of this is notable when one considers that the use of strong symmetrical line-work and geometric form; mediums heavily utilized by all of these architects, were staples of Superstudio's work throughout most of its life. Furthermore, Superstudio's penchant for envisioning immense, entirely aspirational mega-structures is a trait visible in much of the early work of architects such as Hadid and Koolhaas. [2]

Superstudio abandoned working as a collective in 1978, but its members continued to develop their ideas independently through their writings, via education, architectural practice and other design projects.[2]
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