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The Appearance of the Angel to the Myrrh-Bearing Women
  • The Appearance of the Angel to the Myrrh-Bearing Women

    TitleThe Appearance of the Angel to the Myrrh-Bearing Women
  • Technique/ MaterialTempera on wood (linden)
  • DimensionsDimensions: (h x b x dj) 40 x 32 x 2 cm
    Frame: (h x b x dj) 40 x 32 x 3 cm
  • DatingMade c. 1550
  • Artist/Maker Artist: Unknown Russian
  • CategoryPaintings, Icons
  • Inventory No.NMI 250
  • AcquisitionGift 1952 Olof Aschberg
  • ExhibitedNationalmuseum, Room 1614 17th century
  • Description
    Artist/Maker
    Images and media

    Description in Icons, Nationalmuseum, Stockholm, 2004, cat. no. 64
    The Appearance of the Angel to the Myrrh-Bearing Women
    Middle of 16th century, partly repainted in 19th century, Moscow
    NMI 250

    Wood: Linden (Tilia sp.), egg tempera.
    Central part inlaid into new panel
    made of single board with three splines
    inlaid from opposite sides.

    Inscriptions a t.: A) Paper labels:
    1.With printed text in Cyrillic letters:
    GOSUDARSTVENNAYA TRETYAKOVSKAYA
    GALEREYA [N] 388;
    2.Hand-written in ink: 54627 / 870. ;
    3.Printed in Cyrillic letters: [O]TDEL
    (avdelning) / [...] / GIM / 2542 / [ ...] ;
    4.Hand-written in ink: c / 9310 / 75:- ;
    5.Hand-written in ink: 2542; 6. Handwritten
    in ink in Cyrillic letters: XV
    V[EK]. Novgor[od] (15th century Novgorod);
    B) Painted on the panel in red
    in Cyrillic letters: 12815 GTG

    PROVENANCE: State Historic Museum
    (GIM) no 2542; Tretyakov Gallery no 12815
    and no 388; Antiquariat c. 9310 (”Novgoroder
    Schule des 15. Jahrh.”); Olof Aschberg
    1935; Gift of O. Aschberg 1952
    EXHIBITIONS: Gothenburg 1970, no 12; Helsinki
    1970, no 12; Stockholm 1973, no 88
    BIBLIOGRAPHY: Kjellin 1956, pp 195, 221;
    Reuterswärd 1973, pp 111–112; Abel 1998,
    pp 11, 21, 33, 57–58
    CONSERVATION: Restored prior to entering
    NM: central part of painting inserted into:
    new panel; retouches on rocks, figures
    and part of the background; crack through
    lower left part of panel mended with new
    wood and retouched; artificial craquelure
    on halos; NM 1959: nail holes in halos,
    background and borders filled in and re -
    touched, dark varnish removed, retouch es
    (B. Titov). Gilding on background and
    borders abraded.

    For a commentary on the iconography,
    see cat. no 65.