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St. Paraskeve Pyatnitsa
  • TitleSt. Paraskeve Pyatnitsa
  • Technique/ MaterialTempera on wood (linden)
  • DimensionsDimensions: (h x b x dj) 67,5 x 54 x 3 cm
    Frame: (h x b x dj) 71 x 54 x 10 cm
  • DatingMade c. 1525 - 1550
  • Artist/Maker Artist: Unknown Russian
  • CategoryPaintings, Icons
  • Inventory No.NMI 246
  • AcquisitionGift 1952 Olof Aschberg
  • ExhibitedNationalmuseum, Room 1614 17th century
  • Description
    Literature
    Artist/Maker
    Images and media

    Beskrivning i Icons, Nationalmuseum, Stockholm, 2004, kat. nr. 58:
    Saint Paraskeva Pyatnitsa
    Second quarter of 16th century, Novgorod
    NMI 246

    Wood: Linden (Tilia sp.), egg tempera
    on canvas. Panel made of two boards
    with two splines inlaid from opposite
    sides; back grounded and painted
    green.

    Inscriptions a t.: Paper label with
    hand-written text in black ink: 4635 /350 [... ]

    PROVENANCE: Antiquariat 4635 (”Rostover
    Schule, 16. Jahrh.”); Olof Aschberg 1935;
    Gift of O. Aschberg 1952
    EXHIBITIONS: Gothenburg 1970, no 9; Helsinki
    1970, no 9; Stockholm 1988, no 13
    BIBLIOGRAPHY: Dahlbäck 1954, pp 195, 198;
    Kjellin 1956, pp 136–137, 295; Felicetti 1972,
    p 138; Lex. d. chr. Ikonographie, 1976, Bd
    8, p 119; Abel 1978:1, fig. 7; Alpatov 1978,
    fig. 182; Bjurström 1984, p 195; Abel 1989:1,
    p 42; Abel 1989:2, pp 13, 15; Abel 1995, p 112;
    Evseeva 2000, pp 180–181

    CONSERVATION: Restored prior to entering
    NM: crack in centre joint mended with
    metal clips on top and bottom edges and
    insertions of ground and retouches with
    artificial craquelure; major repair of paint
    layers on the saint’s neck and left hand, and
    at the lower edge of the picture; mending
    and reconstruction of paint layers in upper
    right-hand corner; scattered repaintings
    including gold on background; the cross
    and scroll with text reconstructed; NM
    1970: old stopping consolidated. Losses of
    ground and wood in old mend of joint in
    lower edge of panel; crack through upper
    right-hand part of the panel; gold of background
    and frame abraded; nail holes
    from metal halo; panel warped

    K.Onasch has discussed the complexity
    of the Paraskeva figure.1Here we
    are most probably dealing with the
    great martyr, who has a Slavonic connection
    and a feast day on 28th October,
    even though she is here without
    the virtually obligatory crown of martyrdom.
    2 In her left hand she holds a
    scroll with the opening words of the
    Nicene Creed. The cross of martyrdom,
    which she carries in her right
    hand, is something she has in common
    with her namesake, who is primarily
    celebrated in Greek territory. Paraskeva
    is considered the patron saint of commerce,
    probably because Friday (her
    name means Friday) was market day.3
    This might suggest why the saint held
    such a prominent position in Novgorod
    and Pskov.4
    The dating is supported by amongst
    other things, the palaeography, with
    the name of the saint in red script; the
    black text of the scroll, on the other
    hand, is recent.5 The icon exhibits sev -
    eral of the stylistic criteria belonging to
    Novgorod, but it has also been attribut -
    ed by Alpatov to Rostov-Suzdal.
    1 Onasch 1957, 121.
    2 Cf. cat. no 53.
    3 Onasch 1957, p 130.
    4 Smirnova 1982, pp 237–238.
    5 A. Turilov, Academy of Sciences, Moscow, on a
    visit to the Museum in October 1998
    [slut]