The Mother of God, Fountain of Life
  • The Mother of God, Fountain of Life

    TitleThe Mother of God, Fountain of Life
  • Technique/ MaterialWood: Linden, egg tempera
  • DimensionsDimensions: (h x b x dj) 45,5 x 31 x 2,5 cm
    Frame: (h x b x dj) 46 x 32 x 5 cm
  • DatingDated late 17th-early 18th century
  • CategoryPaintings, Icons
  • Inventory No.NMI 139
  • AcquisitionGåva 1933 av Olof Aschberg
  • Description
    Artist/Maker
    Images and media

    Description in Icons, Nationalmuseum, Stockholm, 2004, cat. no. 9:
    The Mother of God, Fountain of Life
    Late 17th-early 18th century, Northern Greece
    NMI 139

    Wood: Linden (Tilia sp.), egg tempera
    on canvas. Panel made of single board
    with two superimposed splines; back
    painted black.

    PROVENANCE: Olof Aschberg;
    Gift of O.Aschberg 1933
    BIBLIOGRAPHY: Kjellin 1933, no 139;
    Kjellin 1956, p 248
    CONSERVATION: Restored prior to entering
    NM: retouches; NM 1970: crack through
    panel, with paint losses in lower part, re -
    pair ed, cleaning, retouching, varnishing.
    Losses of paint layer and ground along borders;
    panel slightly worm-eaten
    This picture is divided into two separate
    and stylistically different parts.
    One of them is the central scene with
    the Mother of God of the Life-Giving
    Source, and the other with the surrounding
    twelve figures. There is a
    precursor of the former, represented by
    a late 16th century icon in Musée d’Art
    et d’Histoire, Geneva.1With its
    Renaissance connection, this is reminiscent
    of the style of Michael Damaskinos
    but bears the signature of Niko-
    laos Batzas. It includes the woman carrying
    a child and the two men, respectively
    shown to left and right of the
    fountain. The Geneva icon represents
    only the central scene and thus lacks
    the surrounding figures. These, all of
    them with books or scrolls, represent
    twelve of the apostles. Beginning top
    left, they are: John, with an indistinct
    inscription, Peter, with a quotation
    from Matt. XVI:18, Paul, with a quotation
    from Romans I:1, Matthew, from
    Matt. IV:14, Mark, from Mark I:1–2;
    Luke, from Luke XVI:15, Andrew, un -
    identified and Silas?.The three remain -
    ing apostles are also hard to identify,
    due mainly to the disappearance of
    their inscriptions. The text on the in -
    scription rolls carried by the two angels
    comes from hymns sung on the festival
    day of this motif, which falls on the
    Friday after Easter.
    The relief patterns of the halos are
    typical of northern Greece.2
    1 Lazovic’ 1985, no 9.
    2 Cf. Chatzidakis 1985, no 153 and Baltoyanni
    1986, no 40.
    [slut]